DAILY CUT

Overview: "Daily Cut" is an artistic series born in 2010, featuring a collection of sold-out canvases. These artworks predominantly adhere to a 20 x 20cm format, although some canvases deviate in size. The series stands as a striking commentary on the frenetic pace of daily life and the overwhelming deluge of visual information.

Collage Creations: Each canvas within the "Daily Cut" series is a meticulously crafted collage, composed of images sourced from daily newspapers. The precision with which paper is cut, assembled, and layered results in new images, often evoking a sense of the bizarre or ironic. It's a creative means of grappling with the sheer volume of images that inundate our daily existence.

Artistry Amidst Chaos: As a backdrop for these captivating collages, spray cans are employed to infuse the canvas with color, further accentuating the tension between chaos and artistry. The juxtaposition of newspaper clippings against colorful backgrounds forms a visual narrative that is both thought-provoking and immersive.

Square Format Symbolism: The choice of a square format in many of these canvases carries a profound message. It serves as a commentary on the transition from the printed image, characterized by its square format, to the pixelated world of the digital age. This transition reflects not only changes in technology but also shifts in how we perceive and interact with visual content.

"Daily Cut" is a testament to the power of art in confronting and reinterpreting the inundation of information in our daily lives. Through meticulous collages and a striking juxtaposition of elements, it invites viewers to reflect on the cacophony of images that shape our world and how they continue to evolve in an increasingly digital age.


Cocal Cola, Schwarzenegger and Hiroshima

One of the remarkable collages within the "Daily Cut" series presents a thought-provoking juxtaposition of images that carries a poignant commentary:

Visual Elements:

  • Hiroshima Destruction: At the core of this collage is a black and white photograph depicting the devastating aftermath of the atomic bombing of Hiroshima. The image encapsulates the horrors of warfare and the profound impact of historical events.

  • Arnold Schwarzenegger: Positioned above the Hiroshima image, a second black and white photo features Arnold Schwarzenegger, cigar in hand, with his muscular physique prominently on display. His image represents a symbol of American strength and influence.

  • Coca-Cola Sign: In the upper right corner, a glowing Coca-Cola sign in vivid red stands out starkly against the monochromatic backdrop. This is the sole burst of color in the collage, serving as a reference to corporate America and consumerism.

Interplay of Themes: The collage intricately weaves together contrasting themes. On one hand, it presents the stark reality of war and the indelible scars left by historical tragedies like the Hiroshima bombing. On the other hand, it juxtaposes this with the American ideal of strength and success embodied by Arnold Schwarzenegger. The inclusion of the Coca-Cola sign underscores the influence of corporate culture in shaping the American identity.

Thought-Provoking Dialogue: This collage is a visual dialogue, inviting viewers to contemplate the intersection of war, power, consumerism, and the American dream. It challenges preconceptions and prompts reflection on how these elements coexist and interact in our collective consciousness.

In "Daily Cut" art becomes a medium to explore the complexity of our world, providing a platform for discourse on the multiple layers of society, history and culture that overwhelm us daily as a flood of images.




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2010 | DAILY CUT

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Kurzer Comic über das goldene Ai

wedodraw.com
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we do draw - do you?

Fighting Kangaroo v2
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New assembly plan and available online again

Op3nDays
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A series of talks and demonstrations organized to highlight the integration of “wedodraw” with a GRBL-driven machine. The event showcased creative drawing workflows, bridging open-source technology and artistic experimentation in a live, interactive setting.

King Kong
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Successful Unknown

Framework
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a framework to manage ibulla.com on GitHub

Sudor Meta
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Exhibition view

CryptoGoldNugget
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Series of 100 NFTs, ERC-721 Tokens

2 Geese
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The daily madness of two geese

The End of
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the F***ing Internet

Pixelrun
2020 | Pixelrun

where pixels run to life

MicroTrainz.art
2020 | MicroTrainz.art

Upcycling Creativity for a big UFF

TokenTransformat.io
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burn - transform - own

VeloGefahren.ch
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Empowering Safe Bicycling Through Crowd Intelligence

Blockexplorer.li
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Unveiling the Story with Each Block

How Trump Are You?
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1milliondrawings.com
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TattooKurier.ch
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TC 18
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Transcultural Collaboration: "Tanhua": A Tribute to the Global Workforce / "Mass Prey": The Abyss of Desire

def Algorithm():
2018 | def Algorithm():

printable booklet

Besenkammer
2018 | Besenkammer

no comment

1milliondrawings.com
2017 | 1milliondrawings.com

Draw your own NFT

Fighting Kangaroo
2017 | Fighting Kangaroo

Award-winning work

Private Coin Flip
2017 | Private Coin Flip

Generate your private Key with a coin

Base64 fun
2017 | Base64 fun

Ascii-Art Terminal Bash

How Trump Are You?
2016 | How Trump Are You?

Seriously, isn't that dangerous?

Useragent.icu
2016 | Useragent.icu

ipv4 / ipv6

Ayumu Memory
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Memory game

TattooKurier.ch
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order your ink 24/7 wherever you are

Hex Flower Clock
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some code fun

Addresses & Colors
2014 | Addresses & Colors

0.0.0.0 - 255.255.255.255: a comment on the conversion from ipv4 to ipv6

ibulla.com
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the archive

ipv6{start}
2012 | ipv6{start}

Your privacy is important (to us)

RGB Cube
2012 | RGB Cube

rgb hex cube code

mnēmōn
2011 | mnēmōn

fragments from a guestbook

Weinplatz7
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Zwischennutzung

Hoja Blanca
2011 | Hoja Blanca

Zürich / Guatemala 26 Künstler/innen aus Guatemala und der Schweiz, 28x28cm

Daily Cut 2
2011 | Daily Cut 2

Collagen aus Zeitungspapier auf Leinwand und Acryl

mnēmōn
2010 | mnēmōn

fragments from a guestbook

Malzfabrik
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Schweiztag in Berlin, Ausstellung 2010

Daily Cut
2010 | Daily Cut

Daily madness cut into pieces.

Buttons
2010 | Buttons

let's make some buttons

ABC
2010 | ABC

Cut. Mint. Reflect.

mnēmōn
2009 | mnēmōn

fragments from a guestbook

Basismarkt
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Open doors, open studio, christmas market

NDMAG
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Noughty Design Magazine #1

Tiefgang
2009 | Tiefgang

Live Painting at “Tiefgang” with Raffle and Winner

mnēmōn
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fragments from a guestbook

Arizona
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Zur Arizona – Anfang und Ende einer Schaffensphase

mnēmōn
2007 | mnēmōn

fragments from a guestbook

Startkapital
2007 | Startkapital

Hardcover book, 170pages, black and white, fine liner on A4 paper

mnēmōn
2006 | mnēmōn

fragments from a guestbook

Burnout
2006 | Burnout

a 72-hour, sleepless performance in which I lived within a transparent polycarbonate box under constant public and online surveillance.

Chronotopes
2001 | Chronotopes

space-time markers

Millenium Bloom
2000 | Millenium Bloom

A watercolor-fineline-aquarelle

personal note
1999 | personal note

In the winter of 1999, my sister and I were in the lobby, sipping tea while a fierce snowstorm raged outside—so intense that skiing was out of the question.