ibulla
ibulla.com - The Hub of Marco Spitzbarth's Artistry and Documentation
ibulla.com serves as the central hub for the captivating world of Marco Spitzbarth, the multifaceted artist, explorer, and programmer behind the art. Here, you'll find a treasure trove of creativity, innovation, and documentation that illuminates Marco's remarkable journey through the realms of art and technology. Explore the visionary creations, delve into the mind of the artist, and witness the seamless fusion of exploration and programming that defines Marco's unique artistic expression. Welcome to ibulla.com, where artistry knows no bounds.
The name "iBulla" encapsulates the spirit of exploration, innovation, and unbridled creativity that defines Marco Spitzbarth's artistic journey.
Unveiling the Essence
The name "iBulla" carries with it the essence of Marco Spitzbarth's artistic journey. It's more than just a name; it's a symbol of creativity, innovation, and boundless exploration.
"i" for Innovation: The lowercase "i" at the beginning signifies innovation. It's a nod to the ever-evolving landscape of technology and its profound impact on artistry. "i" represents the intersection of art and technology, where he's creations come to life.
"Bulla" for Unconventional Expression: "Bulla," a word derived from Latin, represents a bubble—a space of fluidity and imagination where unconventional ideas thrive. It's a testament to Marco's ability to break free from the constraints of convention and explore uncharted artistic territories.
"Framework"
Streamlined Art Showcase Management
"Framework" is more than just code; it's a meticulously crafted tool designed to curate and manage the artistic world of ibulla.com. This repository represents a minimalist yet robust framework that streamlines the presentation of my art, works, and portfolio.
For an artist like myself, a portfolio isn't just a collection; it's a dynamic reflection of my creative odyssey. "Framework" is the foundation upon which my artistic journey unfolds.
Explore the inner workings of "iBulla" and discover how the open source "framework" is reshaping the digital landscape of art presentation.
GITHUB
2025 | HARTDURM
Vernissage: Do, 23.10., 18-21 Uhr, Finissage mit Fondue: Sa, 15.11., 18-21 Uhr
2025 | OpenHouse25
Marco Spitzbarth zeigt aktuelle Arbeiten seines „künstlerischen Labors“ und lädt Besucher:innen abseits der Führungen ein, Teil seines Schaffensraums zu werden.
2025 | Einsichten25
Über 220 Mitglieder der Visarte Zürich zeigen ihre aktuellen Werke an der diesjährigen Jahresausstellung.
2025 | Subroutines
Subroutines transforms algorithmic decision-making into visual form. Each print captures an environment shaped by countless micro-choices — and by a colored “agent”. Like in life, a single anomaly can ripple outward, rewriting the system it inhabits.
2025 | FoxP2
Offener, einphasiger Kunst-am-Bau-Wettbewerb, Humboldt Forum - zeitgenössische Fassade am Nordgiebel
2025 | Glückskrabbler
Der Legende nach schlummern unter der Erde Baugeister aus Eisen und Erz.
2025 | Sun Never Born
A meditation on the threshold between nature and synthesis—where the promise of a sun, yet to rise, lingers in the quiet code of creation.
2025 | Resonate Tissue
An immersive installation that explores the interplay between organic forms and digital echoes. By merging tactile materials with sensor-driven feedback, “Resonate Tissue” invites viewers to reflect on the fluid boundaries between the physical body and technological resonance, underscoring our evolving relationship with the living and the virtual.
2025 | WeDoDraw
Explore the Hidden Narrative A drawing is never just a drawing. It’s a map. A signal. A story unfolding stroke by stroke. On wedodraw.com, algorithms reveal patterns. You create, watch, and discover.
2024 | Mobile Resistance
The work transforms rigid reinforcing bars into mobile sculptures that traverse the urban space and challenge physical and metaphorical barriers through their precarious, adaptable presence.
2023 | Op3nDays
A series of talks and demonstrations organized to highlight the integration of “wedodraw” with a GRBL-driven machine. The event showcased creative drawing workflows, bridging open-source technology and artistic experimentation in a live, interactive setting.
2018 | TC 18
Transcultural Collaboration: "Tanhua": A Tribute to the Global Workforce / "Mass Prey": The Abyss of Desire
2014 | Addresses & Colors
0.0.0.0 - 255.255.255.255: a comment on the conversion from ipv4 to ipv6
2011 | Hoja Blanca
Zürich / Guatemala 26 Künstler/innen aus Guatemala und der Schweiz, 28x28cm
2006 | Burnout
a 72-hour, sleepless performance in which I lived within a transparent polycarbonate box under constant public and online surveillance.
1999 | personal note
In the winter of 1999, my sister and I were in the lobby, sipping tea while a fierce snowstorm raged outside—so intense that skiing was out of the question.